Concerto for Two Violins and Strings : Work information

Johann Sebastian Bach ( Music, Images,)
Performed by
Isabelle Faust (Violin), Christoph Poppen (Violin), Bach-Collegium Stuttgart, Helmuth Rilling (Conductor)

This work

Work name
Concerto for Two Violins and Strings
Work number
BWV 1043
D minor
1723-01-01 02:01:00

This recording

Richard Hauck
Teije van Geest
Recording date
1996-05-01 01:00:00

Track listing

  • Vivace 3:36 min
  • Largo ma non tanto 5:33 min
  • Allegro 4:35 min


Composed during J S Bach's years as Kapellmeister at Cothen between 1717-23, the D minor Concerto for 2 violins is evidence of Bach's interest in the Italian solo concerto style of Vivaldi and TorelliBach predictably took the form to new heights, building on the less-constrained models of Vivaldi to create a freer, more fluid approach to ritornello structure.

Contrapuntal complexity dominates the fugal opening movement, with an abundant richness of harmonic twists to augment the simpler style of Vivaldi. In contrast, the sublime and popular F major Largo non tanto is beautifully simple; listen to the way the violins interweave to decorate the melody.

The last movement is a rip-roaring Allegro with more contrapuntal fireworks. The orchestra is given its turn to shine as soloists and accompanists reverse roles, the two violins playing double-stopped chords. Several times the texture approaches strict canon and is testimony to Bach's incredible skill as a composer.

The Bach Double, sometimes affectionately known as the Dark Bubble, is possibly the greatest work for two violins, and has been a favourite of concert-goers and players alike for many years.

The Composers

Johann Sebastian Bach

One of the greatest composers in history, Johann Sebastian Bach (father of C.P.E, J. C. and W. F. Bach) was by far the most significant member of the Bach dynasty of musicians.

He outshone his forebears and contemporaries, but did not always receive the respect he deserved in his own lifetime. After a brief engagement as a violinist in the court of Weimar, Bach became organist at the Neukirche in Arnstadt. In June 1707 he moved to St. Blasius, Mühlhausen, and married his cousin Maria Barbara Bach. In 1708 he was appointed court organist in Weimar where he composed most of his works for organ. In 1717, he was appointed Court Kapellmeister to the young Prince Leopold at Cöthen, but was refused permission to leave Weimar. The Duke only allowed Bach to go after holding him prisoner for nearly a month.

While at Weimar, Bach wrote his violin concertos and the six Brandenburg Concertos, as well as several suites, sonatas and keyboard works, including several, such as the Inventions and Book I of the 48 Preludes and Fugues (The Well-tempered Clavier). In 1720 Maria Barbara died, and the next year Bach married Anna Magdalena Wilcke. Bach resigned the post in Weimar in 1723 to become cantor at St. Thomas’ School in Leipzig where he was responsible for music in the four main churches of the city. Here he wrote the Magnificat and the St. John and St. Matthew Passions, as well as a large quantity of other church music. In Leipzig he eventually took charge of the University “Collegium Musicum” and occupied himself with the collection and publication of many of his earlier compositions.

Over the years that followed, Bach’s interest in composing church music declined somewhat, and he took to writing more keyboard music and cantatas. As his eyesight began to fail, he underwent operations to try and correct the problem, and these may have weakened him in his old age. He died at age 65, having fathered a total of 20 children with his two wives. Despite widespread neglect for almost a century after his death, Bach is now regarded as one of the greatest of all composers and is still an inexhaustible source of inspiration for musicians. Bach’s compositions are catalogued by means of the prefix BWV (Bach-Werke-Verzeichnis) and a numbering system which is generally accepted for convenience of reference.

Related Composers: Pachelbel, Telemann, Handel, Couperin

Also influenced: Mendelssohn, Brahms, Stravinsky, Hindemith