Ernani : Work information

Giuseppe (Fortunino Francesco) Verdi ( Music, Images,)
Performed by
Antonia Cifrone (Soprano), Marco Pauluzzo (Bass), Alberto Gazale (Baritone), Compagnia d'Opera Italiana, Antonello Gotta (Conductor)

This work

Work name
Work number
1844-01-01 02:01:00

This recording

Recording date

Track listing

  • Act I - Cavatina: 'Ernani!...Ernani, involami...' 4:10 min
  • Act III - 'Gran Dio! costor sui sepolcrali marmi...' 4:36 min
  • Act I - Cavatina: 'Infelice!...e tuo credevi...' 2:37 min


In 1843, Verdi struggled to find a suitable subject for the type of opera that was forming in his head, though not a note of music for his fifth opera had yet been written. Piave's Cromwell was rejected but the composer asked the young poet to adapt Victor Hugo's play Hernani instead.

The tragic tale of love, revolution and revenge set in Renaissance Spain, Ernani tells of three men battling for possession of Elvira's affections, though some have seen the opera as a political allegory for the fight over Italy's independence. It was first performed at La Fenice, Venice on 9 March 1844, and began a remarkable decade of composition during which Verdi was almost constantly on the road, supervising new opera productions.

Highlights of the opera include Elvira's cavatina as she awaits her elopement Ernani, Ernani involami (Ernani, Ernani, fly to me); Don Ruy Gomez's Infelice! e tuo credevi (Unhappy! And I trusted you); and the King's powerful Oh de'verd'anno miei (Oh my years of youth) sung at the tomb of Charlemagne.

The Composers

Giuseppe (Fortunino Francesco) Verdi

Verdi was born into a humble family of small landowners and taverners. At the age of seven he was helping the local church organist, with whom he later studied in nearby Busseto. He became the organist’s assistant in 1829. He already had several compositions under his belt when, in 1832, he was sent to Milan. Unfortunately, Verdi was refused a place at the Conservatory and instead studied with Vincenzo Lavigna, a composer and former La Scala musician. In 1835 Verdi returned to Busseto where he was passed over as maestro di cappella but became town music master in 1836. There he married Margherita Barezzi, his patron’s daughter.

Verdi had trouble getting his works performed or published, but he decided to settle in Milan in 1839 where the opera Oberto was finally performed at La Scala and further operas commissioned. It went well, but his next opera, Un Giorno di Regno, failed totally, and his wife died during its composition. Their two children had died as babies, and the combined effect brought Verdi’s composition to a halt. However, he read the libretto for Nabucco and decided to write an opera on it. It was performed in 1842 and over the next five years his fame spread across Europe and America.

Following more successes, the period Verdi later called his “years in the galleys” now began. His success meant a lot of work, with a long and demanding series of commissioned operas to compose and usually direct. Between 1844 and 1850 Verdi wrote 11 operas which were performed in Paris, London, Rome, Milan, Naples, Venice, Florence and Trieste, with a break in 1846 when he became ill. Between 1851 and 1853, Verdi produced his most popular operas, Rigoletto, Il Trovatore, and La Traviata, the most personal and intimate of Verdi’s operas. The first two were well received, but La Traviata was a failure in Venice.

Verdi had been living with the soprano Giuseppina Strepponi for several years, and they moved to Paris, where another opera, Les Vêpres Siciliennes was performed. Verdi and Giuseppina married in 1859.

Back in Italy, Verdi was involved in politics (The movement for Italian unity) as representative of Busseto (where he now lived). He was later elected to the National Parliament, and ultimately he became a Senator. In 1862 La Forza del Destino had its premiere at St. Petersburg. A revised Macbeth was performed in Paris in 1865, and after Don Carlos in Paris in 1867, Verdi returned to Italy, to live at Genoa.

In his last years, Verdi composed less and less opera, preferring to write works such as his 1873 string quartet and the Requiem , though he did write Aida, performed in 1871, and Otello , completed in 1886. He spent his last years in Milan, rich and happy. When he died in 1901, 28,000 people lined the streets for his funeral. Altogether he composed 32 operas, many of which hold high positions in the world of opera today. Verdi founded the Rest Home for Musicians in Milan which he opened a few weeks before his death.

MIDI FILE - From "La Forza del Destino": Overture (8'56'')

MIDI FILE - From "Aida": Finale della 2a scena (11'41'')

MIDI FILE - From "Nabucco": Overture (7'37'')

MIDI FILE - From "Traviata": Preludio (3'15'')

MIDI FILE - From "Vespri Siciliani": Ouverture (8'26'')