The capture of the Kars : Work information

Modest Petrovich Mussorgsky ( Music, Images,)
Performed by
Locke Brass Consort, James Stobart (Conductor)

This work

Work name
The capture of the Kars
Work number
1880-00-00 02:00:00

This recording

Recording date
1981-10-29 00:00:00

Track listing

  • 6:29 min


In the autumn of 1871 while working on Boris GodunovMussorgsky began sharing an apartment with his colleague Rimsky-Korsakov, working on his own opera The Maid of Pskov. In the spring of 1872, both composers set aside their work to collaborate with two other members of their musical circle, Borodin and Cui, on an opera-ballet, Mlada.

Mlada was never completed, but when Mussorgsky was asked to provide music to accompany one of a series of tableaux vivants to celebrate Alexander II's silver jubilee in 1880, the composer turned to a processional march based on a Russian folk song written for Mlada. For the same planned event, Borodin composed his 'orchestral picture' In the Steppes of Central Asia.

Mussorgsky composed a new oriental trio section in January or February and, although the jubilee project was abandoned, the march was performed at a concert of the Russian Music Society in St. Petersburg on 30 October under the title Vzatiye Karsa (The capture of the Kars).

If the folk tune sounds familiar, it was also used by Tchaikovsky in the finale of his popular Serenade for Strings. Have a listen to both works to hear the different approach to style possible with the same melody.

The Composers

Modest Petrovich Mussorgsky

Mussorgsky was taught the piano from an early age by his mother, and at the age of nine played a concerto by Field to an audience in his parents’ house. In 1852 he entered the Guards’ Cadet School in St. Petersburg. He tried to write an opera in 1856, even though he had not studied harmony or composition. He joined the Guards in the same year. In 1857 he met  Dargomïzhsky and Cui, and through them Balakirev and Stasov. This was the beginning of The ‘Big Five’, or ‘Mighty Handful’, consisting of Mussorgsky, Balakirev, Cui, Rimsky-Korsakov and Borodin. Mussorgsky persuaded Balakirev to give him lessons, and he composed some songs and piano sonatas.

In 1858 he resigned his commission, and the next year, after an inspirational visit to Moscow, his works began to be performed in public. But he remained uneasy about his life, and started to write music which he then abandoned. He worked in the Ministry of Communications and lived in a commune with five other young men. In 1865 his mother died and he developed dipsomania. Two years later he lost his job. Mussorgsky spent the summer of that year at his brother’s house, where his compositions included his first important orchestral work, St. John’s Night on the Bare Mountain.

Early in 1869 Mussorgsky reentered government service and completed the original version of the opera Boris Godunov. After some difficulty and much re-writing, it was eventually staged in February 1874. Despite an increasing dependence on alcohol, which reduced his ability to concentrate on composing, he continued to write such music as Pictures at an Exhibition. This was written for the piano and only arranged for orchestra by Maurice Ravel after Mussorgsky’s death. In 1878, his director at the Ministry allowed him to leave for a three-month concert tour with the contralto Darya Leonova. After he left government service in January 1880, Leonova helped provide him with employment and a home. However, on the 23 February the next year he went to her in a state of despair, rambling about having nothing to live for. He was taken to hospital and found to be suffering from alcoholic epilepsy. He died there a month later, leaving many of his works unfinished.

Related Composers: Cui, Balakirev, Rimsky-Korsakov, Borodin, Ravel

-MIDI FILE - Night on the Bare Mountain (11'58'')