Mother Goose Suite : Work information

Composers
(Joseph) Maurice Ravel ( Music, Images,)
Performed by
Bracha Eden (Piano), Alexander Tamir (Piano)

This work

Work name
Mother Goose Suite
Work number
n/a
Key
n/a
Genre
A
Composed
1910-01-01 02:00:00

This recording

Label
CRD
Producer
Simon Lawman
Engineer
Bob Auger
Recording date
1983-01-01 02:00:00

The Composers

(Joseph) Maurice Ravel

Maurice Ravel was born in his mother’s aunt’s house in Ciboure, France. His father Joseph was an engineer and actively encouraged a musical career for his son. Maurice was taught privately by Henri Ghys, then Emile Decombes, and finally went to the Paris Conservatoire in 1889. Whilst there, he was influenced by the music of such composers as Rimsky-KorsakovWagner, Chabrier and Satie , and shortly after leaving the Conservatoire in 1895 he returned for Fauré’s composition class.

By 1898 Ravel's music was being published and performed, but the Conservatoire was largely unsympathetic to Ravel’s talents and he failed to win a prize several years in a row, eventually forcing him to leave. In 1905 he tried again for the Prix de Rome, but once again broke the rules. However, he was now an established composer (especially with the Quartet of 1903), and the tricky situation forced the director of the Conservatoire to leave his post, allowing Fauré to take over.

The years that followed were sometimes difficult for Ravel. There was violent debate in the press over the merits of his compositional style, and for a while he turned his back on the arguments and composed a large number of works, among them Gaspard de la Nuit, Valses Nobles et Sentimentales, and Daphnis et Chloé. This last ballet was commissioned by Diaghilev through whom Ravel also met Stravinsky in 1909.

When war broke out in 1914, Ravel was in the middle of a period of concentrated composition. Most of the work was never completed, though his suite Le Tombeau de Couperin survives from this period. The war affected Ravel deeply - he wanted to serve his country but was underweight by two kilograms. He served in the motor transport corps, but felt he wasn’t doing enough. When he contracted dysentery he was moved to Paris to recover, and wanted to compose again, but was deeply affected by the death of his mother.

When Debussy also died shortly afterwards, Ravel was left as the leading figure in French music. The authorities wanted to confer on him the order of the Légion d’honneur, but Ravel refused, as he felt disillusioned with authorities in general. He withdrew from Paris life and moved to Montfort-l’Amaury. His compositional efforts were sluggish and painstaking. He wrote memorials to Debussy and Fauré, and worked on several smaller pieces. He also exercised his genius for orchestration again, most notably with Mussorgsky’s Pictures at an Exhibition, which was written for piano and which Ravel arranged for orchestra (the version which is most often performed today).

Ravel travelled abroad in Great Britain, Holland, Italy, Spain, Scandinavia, Belgium, Germany and Switzerland. In 1928 he travelled to the USA and was awarded an honorary doctorate by Oxford University. He wrote Bolero whilst orchestrating some music from Albéniz’s Iberia and the Concerto for the Left Hand for the one-armed pianist Paul Wittgenstein. By 1932, however, Ravel was suffering from Pick’s Disease, which gradually rendered him incapable of even writing his own name. He died in 1937 after an unsuccessful brain operation.

Related Composers: Debussy, Mussorgsky, Stravinsky, Vaughan Williams, Fauré, Saint-Saens, Rodrigo

Track listing

  • Sleeping Beauty's Pavan 1:26 min
  • Tom Thumb 3:13 min
  • The Empress of the Pagodas 3:08 min
  • Beauty and the Beast 4:40 min
  • The Fairy Garden 2:45 min

Notes

Ravel's magical Mother Goose was written between 1908 and 1910 as a piano duet for Mimi and Jean Godbeski, children of a family friend. Based on the fairy tales of Perrault, Mme d'Aulnay, and Le Prince de Beaumont, it was orchestrated in 1911 and then, with added material, turned into a ballet.

In this most personal of pieces, Ravel makes reference to lifelong preoccupations: birdsong, the sounds of Asia, mechanical toys, and the innocence of childhood. Indeed as the composer himself said, "The Ravel of Mother Goose reveals to us the secret of his profound nature, and shows us the soul of a child".

Each of these exquisite miniatures conjures up a unique sound world wholly appropriate to the individual fairy-tale titles. The Empress of the Pagodas, for example, takes her bath to eastern sounds, inspired no doubt by the Javanese gamelan. And the wonderful tale of Beauty and the Beast is portrayed by a lilting melody and grotesque parody of Debussy's Prelude a l'apres-midi, the Beast turned into prince charming via a transforming glissando.

Ravel's precise and expert orchestration results in some wonderful effects. The birdsong in Tom Thumb is produced by violin harmonics and fluttering flutes, and Ravel uses all sorts of colourful instruments such as the celesta, harp, glockenspiel and xylophone. The suite ends appropriately with a whirlwind of colour as The Fairy Garden reaches its conclusion.