Après un Rêve : Work information

Composers
Gabriel Fauré ( Music, Images,)
Performed by
Richard Kapp (Piano), Mela Tenenbaum (Viola)

This work

Work name
Après un Rêve
Work number
Op. 7 No. 1
Key
C minor
Genre
A
Composed
1878-01-01 02:00:00

This recording

Label
Essay
Producer
Adam Abeshouse
Engineer
Adam Abeshouse
Recording date
1997-04-14 00:00:00

The Composers

Gabriel Fauré

Fauré's music was barely recognised outside France during his lifetime, where he was best known as an organist. History has remembered him as one of the great French composers, and he has left behind a fantastic legacy of songs and chamber music.

Gabriel Urbain Fauré was born in the southern French town of Pamiers, the youngest of six children born to Toussaint and Marie Fauré. As a child, his musical talents were exercised when he began to improvise on the local church harmonium and piano. However, it was only later that one of his teachers noticed his talent and recommended that he be sent to the new Louis Niedermeyer school of religious music in Paris. Here, he was a pupil of Camille Saint-Saens . His main talent was in playing the piano, for which he won first prize two years in a row, followed by a first prize with distinction. In 1864 he could play so well that he was refused permission to compete.

From 1865, he was organist at the church of St. Sauveur in Rennes for several years, and then moved to Paris, playing the organ at various churches. Then in August of 1870, the Franco-Prussian War broke out and Fauré was enlisted into the First Regiment of the Imperial Light Infantry as a messenger. Between battles he liked to give impromptu recitals to his friends while they stayed in the abandoned buildings outside Paris.

When the war ended, Fauré returned to Paris and found work as second organist at the church of St. Suplice. His job was to accompany the choir while the main organ was used by Charles-Marie Widor . Sometimes, during the services, the two of them would play 'duelling organs' by improvising themes and 'tossing' them back and forth. In 1877, he became Chief Organist and Choirmaster at La Madeleine in Paris, where he worked for nearly 20 years. At the same time, he started to teach composition at the Paris Conservatoire, where his pupils included Nadia Boulanger, Ravel and Enescu.

Fauré wished to marry, and so his friend Marguerite Baugnies suggested that she arrange a marriage. She presented him with a choice of three women. Unable to make up his mind, Fauré hastily wrote the names down on slips of paper, placed them in a hat, and randomly picked Marie Fremiet, daughter of a sculptor. After a brief engagement, the wedding took place on March 27th, 1883 in Paris. The marriage was a failure.

In 1900 Fauré met and fell in love with Marguerite Hasselmans. Fauré was the same age as her father, but they stayed together until the end of his life in 1924. The social morality of the day forbade him from divorcing his wife. He was appointed director of the Conservatoire in 1905 and introduced a number of necessary reforms.

Fauré retired in 1920, after which he was able to devote himself more fully to composition, notably two final chamber works: a piano trio and a string quartet. In the rigid official musical establishment of Paris in the latter half of the 19th century Fauré won acceptance with difficulty. The most outstanding characteristics of his music are its elegance and reserve.

Related Composers: Camille Saint-Saens, Ravel, Enescu.

Track listing

  • Après un Rêve 2:38 min

Notes

One of Faure's most popular tunes, Apres un reve was written in 1877, possibly in reaction to the tragic affairs of the heart that afflicted the composer that year. In July he had become engaged  to Marianne Viardot, daughter of singer Pauline Viardot and her impressario husband, Louis. Faure had been in love with Marianne for five years, but the affection that she felt for him was mixed with fear, and in October the engagement was broken.

Friends, including the Clerc family, helped the lovesick composer recover, and perhaps this setting of an anonymous Tuscan verse, translated by Roman Bussine, in which the poet recalls his beloved as she appears to him in a dream, helped. Apres un reve is also heard in countless arrangements, its mournful tone particularly suited to the viola or cello.