Fantasia on Themes from Glinka’s A Life for the Tsar (2nd version) : Work information

Mily Alexeyevich Balakirev ( Music, Images,)
Performed by
Alexander Paley (Piano)

This work

Work name
Fantasia on Themes from Glinka’s A Life for the Tsar (2nd version)
Work number
1899-00-00 02:00:00

This recording

Richard Kapp
Mikhail Liberman
Recording date
1992-10-01 01:00:00

Track listing

  • 13:50 min


Two of the most important musical influences on Balakirev were the music and friendship of Glinka, and his love of the piano. This virtuoso showpiece wonderfully combines these interests with a dash of Lisztian fireworks.

The first version of the Fantasia on Themes from Glinka's 'A Life for the Tsar' was written in 1854-6, but it wasn't till after Balakirev retired in 1895 that he returned to the work and completely revised it. Dating from 1899, this second version betrays the bravura influence of Liszt's piano playing far more than the original.

Listen out in particular for the wide range of notes the pianist is asked to play, from the bottom to the top of the keyboard, and the use of octaves to strengthen the melody. The work finishes with a typically virtuosic flourish.

The Composers

Mily Alexeyevich Balakirev

In the second half of the 19th century, Balakirev was the guiding spirit of a group of Russian ‘nationalist’ composers called the Moguchaya Koochka, literally "the mighty handful", but better known in English as the Mighty Five, which included César Cui, Mussorgsky, Borodin and Rimsky-Korsakov.

Balakirev was the only one of the group to begin as a professional musician, though he suffered periods of extreme poverty.

Born in Nizhny-Novgorod in 1837, the son of a minor government official, he received his first music lessons from his mother.

Study at the Alexandrovsky Institue and University of Kazan followed, and in 1855 he embarked on a musical career, playing the piano and composing. An introduction to Glinka prompted a lifelong dedication to the older composer's music, with Balakirev editing and publishing Glinka's complete works.

Though idolising the Western composers ChopinSchumannBerlioz and Liszt, it was Glinka who provided him with the inspiration to use folk song in his composition. As early as 1862, Balakirev spent time in the Caucasus collecting folk tunes.

His success as a composer was intermittent, largely owing to his irascible personality and a tendency to make enemies as a result of his overwhelming enthusiasm and intolerance of other ideas.

As director of the St. Petersburg Free School of Music he was in particular opposition to the Germanic-influenced institutions (the Conservatory and Russian Musical Society).

In 1871, Balakirev suffered a mental crisis and from 1872 to 1876 took no part in musical life. For a short period of time he took a job at the Warsaw Railway in the goods department.

Gradually he resumed his musical life and, after retiring from the Imperial Chapel in 1895 with a large pension, was free to resume composition. He died from pleurisy in 1910.