Night on the Bare Mountain : Work information

Composers
Modest Petrovich Mussorgsky ( Music, Images,)
Performed by
Mexico City Philharmonic Orchestra, Fernando Lozano (Conductor)

This work

Work name
Night on the Bare Mountain
Work number
n/a
Key
n/a
Genre
A
Composed
1867-01-01 02:00:00

This recording

Label
Fioretti
Producer
Ivan Pastor
Engineer
n/a
Recording date
n/a

The Composers

Modest Petrovich Mussorgsky

Mussorgsky was taught the piano from an early age by his mother, and at the age of nine played a concerto by Field to an audience in his parents’ house. In 1852 he entered the Guards’ Cadet School in St. Petersburg. He tried to write an opera in 1856, even though he had not studied harmony or composition. He joined the Guards in the same year. In 1857 he met  Dargomïzhsky and Cui, and through them Balakirev and Stasov. This was the beginning of The ‘Big Five’, or ‘Mighty Handful’, consisting of Mussorgsky, Balakirev, Cui, Rimsky-Korsakov and Borodin. Mussorgsky persuaded Balakirev to give him lessons, and he composed some songs and piano sonatas.

In 1858 he resigned his commission, and the next year, after an inspirational visit to Moscow, his works began to be performed in public. But he remained uneasy about his life, and started to write music which he then abandoned. He worked in the Ministry of Communications and lived in a commune with five other young men. In 1865 his mother died and he developed dipsomania. Two years later he lost his job. Mussorgsky spent the summer of that year at his brother’s house, where his compositions included his first important orchestral work, St. John’s Night on the Bare Mountain.

Early in 1869 Mussorgsky reentered government service and completed the original version of the opera Boris Godunov. After some difficulty and much re-writing, it was eventually staged in February 1874. Despite an increasing dependence on alcohol, which reduced his ability to concentrate on composing, he continued to write such music as Pictures at an Exhibition. This was written for the piano and only arranged for orchestra by Maurice Ravel after Mussorgsky’s death. In 1878, his director at the Ministry allowed him to leave for a three-month concert tour with the contralto Darya Leonova. After he left government service in January 1880, Leonova helped provide him with employment and a home. However, on the 23 February the next year he went to her in a state of despair, rambling about having nothing to live for. He was taken to hospital and found to be suffering from alcoholic epilepsy. He died there a month later, leaving many of his works unfinished.

Related Composers: Cui, Balakirev, Rimsky-Korsakov, Borodin, Ravel

-MIDI FILE - Night on the Bare Mountain (11'58'')

 

Track listing

  • 12:06 min

Notes

Like many of Mussorgsky's works, the piece we know today as Night on the Bare Mountain has a complex genesis.

In 1860, Mussorgsky decided to set a witch's sabbath scene from a play by Baron Georgy Mengden, an army colleague. This itself was possibly derived from music written for an abandoned opera based on Gogol's Vecher nakanune Ivana Kupala (St. John's Eve).

During the summer of 1867, Mussorgsky used this discarded material to compose an orchestral piece called Ivanova noch' na Lisoy gore (St. John's Night on the Bare Mountain). However, that is not quite the end of the story!

Mussorgsky introduced the work into his comic opera Sorochintsy Fair from which Rimsky-Korsakov made a new separate orchestral version after Mussorgsky's death, ignoring the previous orchestral version. The work we generally hear today is virtually a new piece by Rimsky-Korsakov, based on Mussorgsky's re-working.

Whatever the origins of the work, Night on the Bare Mountain is a wonderfully vivid piece of music. Its continued use in films and adverts is a testament to its descriptive power, and the work has remained a favourite in the concert hall.