Scheherazade : Work information

Nikolay Andreyevich Rimsky-Korsakov ( Music, Images,)
Performed by
Jonathan Carney (Violin), Royal Philharmonic Orchestra, Barry Wordsworth (Conductor)

This work

Work name
Work number
Op. 35
1888-01-01 02:00:00

This recording

Royal Philharmonic Orchestra
Alan Peters
Keith Grant
Recording date
2000-01-01 02:00:00

Track listing

  • The Sea and Sinbad's Ship 10:40 min
  • The Story of the Kalandar Prince 12:11 min
  • The Young Prince and Princess 10:35 min
  • Festival in Baghdad - The Sea - The Ship breaks up against a cliff surmounted by a bronze horseman - Conclusion 13:01 min


Composed in 1888 and inspired by unconnected episodes and pictures from The Arabian Nights, Scheherazade is one of the great orchestral showpieces. It was written at a time when Rimsky-Korsakov's orchestration had, as he recalled, 'attained a considerable degree of virtuosity and warm sonority without Wagnerian influence'.

The binding story of The Arabian Nights concerns King Shahryar who took a new wife each evening and had her executed in the morning. In order to prolong her life, Scheherazade tells a new tale each evening, leaving each night's story on a cliff-hanger. After 1001 nights, the King relents and spares her life.

Rimsky-Korsakov's symphonic suite uses this backdrop to present four orientally-tinged episodes, each linked by a violin and harp recitative to represent Scheherazade herself. Magical orchestral effects abound in this score; listen to the evocation of a vibrant festival in Baghdad, or the roll of the waves in The Sea and Sindbad's ship. The Young Prince and Princess, with its gentle string melody, has become particularly popular.

The Composers

Nikolay Andreyevich Rimsky-Korsakov

Rimsky-Korsakov studied piano and composition as a child, and was fascinated with opera orchestras. He trained, however, as a naval officer. In 1861 he met Balakirev, who encouraged his composition and started to perform his works. As a result,  Rimsky-Korsakov abandoned his career as a naval cadet to devote himself entirely to music. Balakirev introduced Rimsky-Korsakov to Borodin, Cui and Mussorgsky, and between them they made up the Russian ‘Big Five’ or ‘Mighty Handful’ of composers. Through Balakirev, Rimsky-Korsakov also met Dargomïzhsky.

Rimsky-Korsakov studied hard, teaching himself harmony and counterpoint. He wrote songs, orchestral works and an opera, The Maid of Pskov (completed in 1872). Then, in 1871 he became Professor of Orchestration and Composition at the St. Petersburg Conservatory, rapidly becoming a respected teacher. Here, his pupils included StravinskyGlazunov, ProkofievArensky and Lyadov. He also conducted at Balakirev’s Free School and was Inspector of Naval Bands from 1873 to 1884. His next opera, May Night (1880), was his first major comic opera, a genre in which he excelled. He collected folk songs which often had an influence on his music.

His composition was frequently interrupted by his official duties at the Imperial Chapel (1883-91) and advising for the publisher Belyayev. He also set himself the task of completing and revising the work of some of his fellow-composers, such as Borodin’s opera Prince Igor and much of the seemingly uneven writing of his friend Mussorgsky. During 1887 and 1888 he wrote three of his best-known orchestral works, Sheherazade, the Spanish Capriccio and the Russian Easter Festival Overture. After that he spent his time composing operas, including Kitezh (1907) and The Golden Cockerel (1909).

Generally known for his colourful orchestral compositions, Rimsky-Korsakov also wrote songs and choral music, chamber music and works for piano. His textbook on orchestration is widely used.

Related Composers: Cui, Borodin, Balakirev, Mussorgsky, Stravinsky, Glazunov, Arensky, Liadov