Cantata No. 51 "Jauchzet Gott" : Work information

Johann Sebastian Bach ( Music, Images,)
Performed by
Jean de Ridder (Trumpet), Elizabeth Parcells (Soprano), Luxembourg Radio Symphony Orchestra, Leopold Hager (Conductor)

This work

Work name
Cantata No. 51 "Jauchzet Gott"
Work number
BWV 51
1730-01-01 02:01:00

This recording

Forlane CI
Ivan Pastor
Jean-Louis Brassens & Jean Mersch
Recording date

Track listing

  • Jauchzet Gott in allen Landen 4:30 min
  • Wir beten zu dem Tempel an 2:27 min
  • Jichster mache deine Gute 4:48 min
  • Sei Lob und Preis mit Ehren 5:50 min


Of J S Bach's sacred cantatas, only three fifths survive; of his secular cantatas, less than half do. Nevertheless, the surviving repertoire represents a huge amount of music.

Bach's duties as cantor at St Thomas's school, Leipzig required the performance of a cantata on Sundays and feast days. As St. Thomas's church had no repertoire of cantatas when the composer arrived in 1723, J S Bach had to compose a new work each week. He maintained this staggering rate of composition for five years, and continued writing cantatas after this.

The small-scale Cantata No. 51 was probably first performed on 17 September 1730. The opening aria is particularly attractive, and features a virtuosic trumpet part in addition to the Soprano's vocal fireworks. Jichster, mache deine Gute, on the other hand, is accompanied only by the continuo, creating an intimate tender atmosphere. The return of the trumpet in the final celebratory Alleluja brings the cantata to a triumphant close.

The Composers

Johann Sebastian Bach

One of the greatest composers in history, Johann Sebastian Bach (father of C.P.E, J. C. and W. F. Bach) was by far the most significant member of the Bach dynasty of musicians.

He outshone his forebears and contemporaries, but did not always receive the respect he deserved in his own lifetime. After a brief engagement as a violinist in the court of Weimar, Bach became organist at the Neukirche in Arnstadt. In June 1707 he moved to St. Blasius, Mühlhausen, and married his cousin Maria Barbara Bach. In 1708 he was appointed court organist in Weimar where he composed most of his works for organ. In 1717, he was appointed Court Kapellmeister to the young Prince Leopold at Cöthen, but was refused permission to leave Weimar. The Duke only allowed Bach to go after holding him prisoner for nearly a month.

While at Weimar, Bach wrote his violin concertos and the six Brandenburg Concertos, as well as several suites, sonatas and keyboard works, including several, such as the Inventions and Book I of the 48 Preludes and Fugues (The Well-tempered Clavier). In 1720 Maria Barbara died, and the next year Bach married Anna Magdalena Wilcke. Bach resigned the post in Weimar in 1723 to become cantor at St. Thomas’ School in Leipzig where he was responsible for music in the four main churches of the city. Here he wrote the Magnificat and the St. John and St. Matthew Passions, as well as a large quantity of other church music. In Leipzig he eventually took charge of the University “Collegium Musicum” and occupied himself with the collection and publication of many of his earlier compositions.

Over the years that followed, Bach’s interest in composing church music declined somewhat, and he took to writing more keyboard music and cantatas. As his eyesight began to fail, he underwent operations to try and correct the problem, and these may have weakened him in his old age. He died at age 65, having fathered a total of 20 children with his two wives. Despite widespread neglect for almost a century after his death, Bach is now regarded as one of the greatest of all composers and is still an inexhaustible source of inspiration for musicians. Bach’s compositions are catalogued by means of the prefix BWV (Bach-Werke-Verzeichnis) and a numbering system which is generally accepted for convenience of reference.

Related Composers: Pachelbel, Telemann, Handel, Couperin

Also influenced: Mendelssohn, Brahms, Stravinsky, Hindemith