Symphony No. 9 : Work information
- Antonín (Leopold) Dvorák ( Music, Images,)
- Performed by
- Sir Colin Davis, London Symphony Orchestra, Antonin Dvo?ák
- Work name
- Symphony No. 9
- Work number
- Op. 95
- E minor
- 1893-01-01 02:00:00
- Ivan Pastor
- Gilbert Steurbaut
- Recording date
- 1979-01-01 00:00:00
Antonín (Leopold) Dvorák
Born near Prague, Dvorák studied the violin with his local school master. Then, between 1857 and 1859, he attended the Prague Organ School. He was influenced by the Czech composer Smetana who, from 1866, directed the Opera Orchestra in which Dvorák played the viola. From about 1873, he devoted most of his life to composition. He won the Austrian State Stipendium three times, in 1874, 1876 and 1877. This got the attention of the composer Johannes Brahms , who in 1878 arranged for the publisher Simrock to publish some of Dvorák’s works. Under this arrangement, Dvorák’s music began to be performed throughout Europe. Some of these early works include the Slavonic Dances, the Symphony No. 6 and the Stabat Mater. He received several commissions, particularly in England, where he was very popular and much admired. He was also awarded an honorary doctorate by Cambridge University.
In 1891 Dvorák became a Professor of Composition at the Prague Conservatoire, and before leaving for the USA he toured Bohemia playing the new Dumky Trio. From 1892 until 1895 he was the Director of the new National Conservatory in New York, teaching composition. During this period of his life, his compositions show his deep interest in American folk music. These include the famous Symphony No. 9 ('From the New World'), the String Quartet in F, the String Quintet in E flat and the Cello Concerto.
Homesickness took him back to Prague, where he began to write symphonic poems. He received many honours in his own country and resisted invitations by Brahms to move to Vienna where he was only grudgingly accepted. His attempts at dramatic music were eventually rewarded with the success of the opera Rusalka (1901). He died in 1904, shortly after the first performances of his last opera, Armida. The late 19th century brought an increasing awareness of national identity to various ethnic groups in Europe and Dvorák’s musical career was influenced by the spirit of Bohemian nationalism.
In 1891, Dvorak received a telegram inviting him to become the Director of the New Conservatory of Music in New York. After some prevarication, he eventually agreed, his decision helped no doubt by the enormous salary on offer. The Symphony No. 9 'From the New World' was the first work he wrote after his arrival in America on 26 September 1892; its first performance on 16 December 1893 was a huge success.
The famous cor anglais tune in the slow movement and the scherzo were possibly derived from a planned opera based on Longfellow's Hiawatha. The Symphony, though, has very little material that could be described as 'American'. Dvorak was very interested in the negro spirituals and native American music, but the Symphony seems to be looking back to his native Bohemia.
Although the work has been criticised for its structural weaknesses in the last movement, it's remained a firm favourite with audiences. The shattering climax of the finale and the dignity of the slow movement's introduction are just two moments to listen out for.