| Composer(s): | Kurt (Julian) Weill (02 Mar 1900 - 03 Apr 1950) |
| Work identifier: | M4900 |
| Real Name: | Die Dreigroschenoper |
| Display Name: | The Threepenny Opera |
| Composed: | c. 1928 |
| First Performed: | 31 Aug 1928 |
| Genre: | Opera + Operetta |
| Genre Type: | Opera |
| Period: | 20th century |
| Instrumentation: | Voices Chamber Orchestra |
| Librettist(s): | Bertholt Brecht E. Hauptmann |
| Mvt. 1 | Overture: 'Sie werden jetz eine Oper für Bettler hören...' (Voices, Chamber Orchestra) |
| Mvt. 2 | Act I - The Ballad of Mack the Knife: 'Zuerst hören Sie eine Moritat über den Räuber Macheath...' (Voices, Chamber Orchestra) |
| Mvt. 3 | Act I - Ballad as a Waltz (Voices, Chamber Orchestra) |
| Mvt. 4 | Act I - Moritat als Motiv (Voices, Chamber Orchestra) |
| Mvt. 5 | Act I - Mr Peachum's Morning Hymn: 'Jonathan Jeremiah Peachum hat einem Laden eröffnet...' (Voices, Chamber Orchestra) |
| Mvt. 6 | Act I - Song: 'Polly Peachum ist nicht nach hause gekommen...' (Voices, Chamber Orchestra) |
| Mvt. 7 | Act I - Chorus: 'Tief im Herzen Sohos...' (Chorus, Chamber Orchestra) |
| Mvt. 8 | Act I - Kanonensong (Voices, Chamber Orchestra) |
| Mvt. 9 | Act I - Kanonensong für Orchester (Voices, Chamber Orchestra) |
| Mvt. 10 | Act I - Love song: 'Siest du den Mond über Soho?' (Voices, Chamber Orchestra) |
| Mvt. 11 | Act I - The Song of Yes and No: 'Durch ein kleines Lied...' (Voices, Chamber Orchestra) |
| Mvt. 12 | Act I - The Uncertainty of Human Conditions: 'Herr und Frau Peachum raten ihrer Tochter...' (Voices, Chamber Orchestra) |
| Mvt. 13 | Act II - The Stable: 'Mackie muss fliehen...' (Voices, Chamber Orchestra) |
| Mvt. 14 | Act II - Polly's Farewell Song: 'Er kommt nicht wieder...' (Voices, Chamber Orchestra) |
| Mvt. 15 | Act II - Intermezzo: 'Also, wenn ihr Mackie Messer in den nächsten Tagen seht...' (Voices, Chamber Orchestra) |
| Mvt. 16 | Act II - The Ballad of Sexual Dependency: 'Da ist nun einer schon der Satan selber...' (Voices, Chamber Orchestra) |
| Mvt. 17 | Act II - Pirate-Jenny or Dreams of a Kitchen Maid: 'Lied eines kleinen Abwaschmädchens...' (Voices, Chamber Orchestra) |
| Mvt. 18 | Act II - The Procurer's Ballad: 'Macheath und die Hure Jenny...' (Voices, Chamber Orchestra) |
| Mvt. 19 | Act II - Pimp's Ballad for Orchestra (Voices, Chamber Orchestra) |
| Mvt. 20 | Act II - The Ballad of Pleasant Living: 'Ihr Herrn, urteilt jetz selbst...' (Voices, Chamber Orchestra) |
| Mvt. 21 | Act II - The Jealousy Duet: 'Erste Wolken am Himmel...' (Voices, Chamber Orchestra) |
| Mvt. 22 | Act II - Fight about the Property: 'Eifersucht, Wut, Liebe und Furcht...' (Voices, Chamber Orchestra) |
| Mvt. 23 | Act II - Ballad about the Question 'What Keeps a Man Alive?': 'Ihr herrn, die ihr uns lehrt...' (Voices, Chamber Orchestra) |
| Mvt. 24 | Act III - The Song about Inadequacy: 'Was ist denn das?' (Voices, Chamber Orchestra) |
| Mvt. 25 | Act III - Song of Solomon: 'Ihr saht den weisen Salomo...' (Voices, Chamber Orchestra) |
| Mvt. 26 | Act III - Call from the Grave: 'Die Huren haben Macheath verraten...' (Voices, Chamber Orchestra) |
| Mvt. 27 | Act III - Ballad in which Macheath begs for Forgiveness: 'Mitbürger, hiermit verabschiede ich mich von euch...' (Voices, Chamber Orchestra) |
| Mvt. 28 | Act III - Walk to the Gallows (Voices, Chamber Orchestra) |
| Mvt. 29 | Act III - The Riding Messenger: 'Verehrtes Publikum, wir sind so weit...' (Chorus, Chamber Orchestra) |
| Mvt. 30 | Act III - Threepenny Finale: 'Verfolgt das Unrecht nicht zu sehr...' (Voices, Chamber Orchestra) |
| Mvt. 31 | Act III - The Final Verses of the Ballad: 'Und so kommt zum guten Ende...' (Voices, Chamber Orchestra) |
| Mvt. 32 | Appendix - Lucy's Aria (Voices, Chamber Orchestra) |
| Mvt. 33 | Overture (Voices, Chamber Orchestra) |
| Mvt. 34 | Peachum's Morning Song (Voices, Chamber Orchestra) |
| Mvt. 35 | Kids Today (Voices, Chamber Orchestra) |
| Mvt. 36 | Gang Song (Wedding Song) (Voices, Chamber Orchestra) |
| Mvt. 37 | Pirate Jenny (Voices, Chamber Orchestra) |
| Mvt. 38 | Squaddies Song (Cannon Song) (Voices, Chamber Orchestra) |
| Mvt. 39 | Love Duet (Voices, Chamber Orchestra) |
| Mvt. 40 | Barbara Song (Voices, Chamber Orchestra) |
| Mvt. 41 | Life's A Bitch (Voices, Chamber Orchestra) |
| Mvt. 42 | Melodrama / Polly's Song (Voices, Chamber Orchestra) |
| Mvt. 43 | The Ballad Of Sexual Imperative (Voices, Chamber Orchestra) |
| Mvt. 44 | Knocking Shop Tango (Voices, Chamber Orchestra) |
| Mvt. 45 | The Flick Knife Song (Voices, Chamber Orchestra) |
| Mvt. 46 | Easy Life (Voices, Chamber Orchestra) |
| Mvt. 47 | Jealousy Duet (Voices, Chamber Orchestra) |
| Mvt. 48 | What Keeps A Man Alive? (Voices, Chamber Orchestra) |
| Mvt. 49 | What's The Point? (Voices, Chamber Orchestra) |
| Mvt. 50 | The Socrates Song (Solomonsong) (Voices, Chamber Orchestra) |
| Mvt. 51 | A Call From The Grave (Voices, Chamber Orchestra) |
| Mvt. 52 | Ballad In Which Macbeth Begs All Men's Forgivness (Voices, Chamber Orchestra) |
| Mvt. 53 | Act III Finale (Voices, Chamber Orchestra) |
| Composer(s): | Kurt (Julian) Weill (02 Mar 1900 - 03 Apr 1950) |
| Recording identifier: | M2147520516 |
| Real Name: | Die Dreigroschenoper |
| Display Name: | The Threepenny Opera |
| Composed: | c. 1928 |
| First Performed: | 31 Aug 1928 |
| Genre: | Opera + Operetta |
| Genre Type: | Opera |
| Period: | 20th century |
| Instrumentation: | Voices Chamber Ensemble |
| Librettist(s): | Bertholt Brecht E. Hauptmann |
| Ensemble: | The Donmar Warehouse |
| Conductor: | Gary Yershon |
| Soloists: | Tom Hollander (Voice) Sharon Small (Voice) Tara Hugo (Voice) Beverley Klein (Voice) Tom Mannion (Voice) |
| Label: | JAY Records |
| Catalogue Number: | CDJAY 1244 |
| CD Media ID: | ag132 |
| Mvt. 1 | Overture (1'52'') |
| Mvt. 2 | Peachum's Morning Song (0'58'') |
| Mvt. 3 | Kids Today (1'42'') |
| Mvt. 4 | Gang Song (Wedding Song) (1'1'') |
| Mvt. 5 | Pirate Jenny (3'31'') |
| Mvt. 6 | Squaddies Song (Cannon Song) (2'36'') |
| Mvt. 7 | Love Duet (1'42'') |
| Mvt. 8 | Barbara Song (4'50'') |
| Mvt. 9 | Life's A Bitch (3'56'') |
| Mvt. 10 | Melodrama / Polly's Song (2'38'') |
| Mvt. 11 | The Ballad Of Sexual Imperative (3'40'') |
| Mvt. 12 | Knocking Shop Tango (4'45'') |
| Mvt. 13 | The Flick Knife Song (4'18'') |
| Mvt. 14 | Easy Life (2'38'') |
| Mvt. 15 | Jealousy Duet (2'36'') |
| Mvt. 16 | What Keeps A Man Alive? (3'25'') |
| Mvt. 17 | What's The Point? (1'15'') |
| Mvt. 18 | The Socrates Song (Solomonsong) (3'22'') |
| Mvt. 19 | A Call From The Grave (0'57'') |
| Mvt. 20 | Ballad In Which Macbeth Begs All Men's Forgivness (3'35'') |
| Mvt. 21 | Act III Finale (5'10'') |