| Composer(s): | Wolfgang Amadeus Mozart (27 Jan 1756 - 05 Dec 1791) |
| Work identifier: | M984 |
| Real Name: | Die Entführung aus dem Serail |
| Display Name: | The Abduction from the Seraglio |
| Work/Opus: | K. 384 |
| Composed: | c. 1782 |
| First Performed: | 16 Jul 1782 |
| Genre: | Opera + Operetta |
| Genre Type: | Opera |
| Period: | Classical |
| Librettist(s): | J. G. Stephanie jr C. F. Bretzner |
| Performance Timing (guide): | 0'44'' (approx.) |
| Mvt. 1 | Act I - Overture (Opera Orchestra) |
| Mvt. 2 | Act I Scene 1 - Aria: 'Hier soll ich dich denn sehen...' (Tenor, Opera Orchestra) |
| Mvt. 3 | Act I Scene 2 - Aria and Duet: 'Wer ein liebchen hat gefunden...' (Tenor, Bass, Opera Orchestra) |
| Mvt. 4 | Act I Scene 3 - Dialogue: 'Könnt ich mir noch so einen schurken...' (Speaker) |
| Mvt. 5 | Act I Scene 3 - Aria: 'Solche hergelauf'ne Laffen...' (Bass, Opera Orchestra) |
| Mvt. 6 | Act I Scene 3 - Dialogue: 'Was bist du...' (Speaker) |
| Mvt. 7 | Act I Scene 3 - Aria: 'Erst geköpft...' (Bass, Opera Orchestra) |
| Mvt. 8 | Act I Scene 4 - Dialogue: 'Geh nur, Verwünschter Aufpasser...' (Speaker) |
| Mvt. 9 | Act I Scene 5 - Recit and Aria: 'Konstanze! dich Wiederzusehen!' (Tenor, Opera Orchestra) |
| Mvt. 10 | Act I Scene 5 - Dialogue: 'Geschwind auf die Seite und versteckt!' (Speaker) |
| Mvt. 11 | Act I Scene 6 - Chorus: 'Singt dem großen Bassa Lieder...' (Mixed chorus, Opera Orchestra) |
| Mvt. 12 | Act I Scene 7 - Dialogue: 'Immer noch traurig, geliebte Konstanze?' (Speaker) |
| Mvt. 13 | Act I Scene 7 - Aria: 'Ach ich liebte...' (Soprano, Opera Orchestra) |
| Mvt. 14 | Act I Scene 8 - Dialogue: 'Ihr Schmerz, ihre Tränen...' (Speaker) |
| Mvt. 15 | Act I Scene 9 - Dialogue: 'Ha! Triumph, Triumph, Herr!' (Speaker) |
| Mvt. 16 | Act I Scene 10 - Dialogue: 'Wohin?...Hinein!' (Speaker) |
| Mvt. 17 | Act I Scene 10 - Terzetto: 'Marsch, marsch, marsch!' (Tenor, Bass, Opera Orchestra) |
| Mvt. 18 | Act II Scene 1 - Dialogue: 'O des Zankens, Befehlens und Murrens...' (Speaker) |
| Mvt. 19 | Act II Scene 1 - Aria: 'Durch Zärtlichkeit und Schmeicheln...' (Soprano, Opera Orchestra) |
| Mvt. 20 | Act II Scene 1 - Dialogue: 'Zärtlichkeit? Schmeincheln?' (Speaker) |
| Mvt. 21 | Act II Scene 1 - Duet: 'Ich gehe, doch rate ich dir...' (Soprano, Bass, Opera Orchestra) |
| Mvt. 22 | Act II Scene 2 - Dialogue: 'Ich gehe, doch rate ich dir...' (Speaker) |
| Mvt. 23 | Act II Scene 2 - Recit and Aria: 'Welcher Wechsel...' (Soprano, Opera Orchestra) |
| Mvt. 24 | Act II Scene 2 - Dialogue: 'Ach mein bestes Fräulein!' (Speaker) |
| Mvt. 25 | Act II Scene 3 - Dialogue: 'Nun, Konstanze, denkst du meinem Begehren nach?' (Speaker) |
| Mvt. 26 | Act II Scene 3 - Aria: 'Martern aller Arten...' (Soprano, Opera Orchestra) |
| Mvt. 27 | Act II Scene 4 - Dialogue: 'Woher hat sie auf einmal den Mut?' (Speaker) |
| Mvt. 28 | Act II Scene 5 - Dialogue: 'Kein Bassa, keine Konstanze...' (Speaker) |
| Mvt. 29 | Act II Scene 6 - Dialogue: 'Bst, bst! Blondchen!' (Speaker) |
| Mvt. 30 | Act II Scene 6 - Aria: 'Welche Wonne, welche Lust...' (Soprano, Opera Orchestra) |
| Mvt. 31 | Act II Scene 7 - Dialogue: 'Ach, wenn es doch schon...' (Speaker) |
| Mvt. 32 | Act II Scene 7 - Aria: 'Frisch zum Kampfe!' (Tenor, Opera Orchestra) |
| Mvt. 33 | Act II Scene 8 - Dialogue: 'Ha! Geht's hier so lustig zu?' (Speaker) |
| Mvt. 34 | Act II Scene 8 - Duet: 'Vivat Bacchus!' (Tenor, Bass, Opera Orchestra) |
| Mvt. 35 | Act II Scene 8 - Dialogue: 'Das ist wahr - Wein...' (Speaker) |
| Mvt. 36 | Act II Scene 9 - Dialogue: 'Gute Nacht - Brüderchen...' (Speaker) |
| Mvt. 37 | Act II Scene 9 - Aria: 'Wenn der Freude Thränen fliessen...' (Tenor, Opera Orchestra) |
| Mvt. 38 | Act II Scene 9 - Quartet: 'Ach Belmonte! ach mein Leben!' (Soprano, Tenor, Opera Orchestra) |
| Mvt. 39 | Act III Scene 1 - Dialogue: 'Hier, lieber Klaas...' (Speaker, Speaker) |
| Mvt. 40 | Act III Scene 2 - Dialogue: 'Pedrillo! Ist alles fertig?' (Speaker) |
| Mvt. 41 | Act III Scene 3 - Dialogue: 'O Konstanze, Konstanze, wie schlägt mir das Herz!' (Speaker) |
| Mvt. 42 | Act III Scene 3 - Aria: 'Ich baue ganz auf deine Stärke...' (Tenor, Opera Orchestra) |
| Mvt. 43 | Act III Scene 4 - Dialogue: 'Alles liegt auf dem Ohr...' (Speaker, Speaker) |
| Mvt. 44 | Act III Scene 4 - Romanze: 'In Mohrenland gefangen war ein Mädel...' (Tenor, Opera Orchestra) |
| Mvt. 45 | Act III Scene 4 - Dialogue: 'Sie macht auf, Herr!' (Speaker) |
| Mvt. 46 | Act III Scene 5 - Aria: 'Hah, wie will ich triumphiren...' (Bass, Opera Orchestra) |
| Mvt. 47 | Act III Scene 6 - Dialogue: 'Geht, unterrichtet euch...' (Speaker) |
| Mvt. 48 | Act III Scene 7 - Recitative: 'Welch'ein Geschick!' (Tenor, Soprano, Opera Orchestra) |
| Mvt. 49 | Act III Scene 7 - Duet: 'Meinetwegen sollst du sterben...' (Tenor, Soprano, Opera Orchestra) |
| Mvt. 50 | Act III Scene 8 - Dialogue: 'Ach, Herr, wir sind hin!' (Speaker, Speaker) |
| Mvt. 51 | Act III Scene 9 - Dialogue: 'Nun, zitterst du...' (Speaker) |
| Mvt. 52 | Act III Scene 9 - Finale: 'Nie werd'ich deine Huld verkennen...' (Soprano, Soprano, Tenor, Tenor, Bass, Opera Orchestra) |
| Composer(s): | Wolfgang Amadeus Mozart (27 Jan 1756 - 05 Dec 1791) |
| Recording identifier: | M2147488082 |
| Real Name: | Die Entführung aus dem Serail |
| Display Name: | The Abduction from the Seraglio |
| Work/Opus: | K. 384 |
| Composed: | c. 1782 |
| First Performed: | 16 Jul 1782 |
| Genre: | Opera + Operetta |
| Genre: | Opera + Operetta |
| Genre Type: | Opera Extracts |
| Period: | Classical |
| Librettist(s): | J. G. Stephanie jr C. F. Bretzner |
| Ensemble: | Orchestra of St. John's, Smith Square |
| Conductor: | John Lubbock |
| Label: | Quicksilva |
| Catalogue Number: | CD QS 6197 |
| CD Media ID: | 5065 |
| Recording Location: | Walthamstow Assembly Hall, London |