| Composer(s): | Henry Purcell (16 Jul 1659 - 21 Nov 1695) |
| Work identifier: | M3373 |
| Real Name: | The Fairy Queen |
| Display Name: | The Fairy Queen |
| Work/Opus: | Z. 629 |
| Composed: | c. 1692 |
| Genre: | Opera + Operetta |
| Genre Type: | Opera |
| Period: | Baroque |
| Instrumentation: | Chamber Orchestra |
| Mvt. 1 | Prelude (Chamber Orchestra) |
| Mvt. 2 | Hornpipe (Chamber Orchestra) |
| Mvt. 3 | Air (Chamber Orchestra) |
| Mvt. 4 | Rondeau (Chamber Orchestra) |
| Mvt. 5 | Overture (Chamber Orchestra) |
| Mvt. 6 | Come, come (Soprano, Bass) |
| Mvt. 7 | Fill up the bowl (Bass, Soprano, Soprano, Mixed chorus) |
| Mvt. 8 | Jig (Chamber Orchestra) |
| Mvt. 9 | Come all ye songsters (Tenor) |
| Mvt. 10 | May the god of Wit inspire (Mixed chorus) |
| Mvt. 11 | Now join your warbling voices all (Mixed chorus) |
| Mvt. 12 | Sing while we trip (Soprano, Mixed chorus) |
| Mvt. 13 | Night (Soprano) |
| Mvt. 14 | Mystery (Soprano) |
| Mvt. 15 | Secrecy (Counter-tenor) |
| Mvt. 16 | Sleep (Bass, Mixed chorus) |
| Mvt. 17 | Dance for the Followers of Night (Chamber Orchestra) |
| Mvt. 18 | Second Act Tune: Air (Chamber Orchestra) |
| Mvt. 19 | If love's a sweet passion - I press her hand (Soprano, Mixed chorus) |
| Mvt. 20 | Symphony while swans come forward (Chamber Orchestra) |
| Mvt. 21 | Dance for the Fairies (Chamber Orchestra) |
| Mvt. 22 | Dance for the Green Men (Chamber Orchestra) |
| Mvt. 23 | Ye gentle spirits (Soprano) |
| Mvt. 24 | Dialogue between Coridon and Mopsa (Bass, Counter-tenor) |
| Mvt. 25 | Dance for the Haymakers (Chamber Orchestra) |
| Mvt. 26 | A Nymph (Soprano) |
| Mvt. 27 | A thousand, thousand ways (Bass, Tenor, Mixed chorus) |
| Mvt. 28 | Third Act Tune: Hornpipe (Chamber Orchestra) |
| Mvt. 29 | Act Four. Symphony (Chamber Orchestra) |
| Mvt. 30 | An Attendant - Chorus: Now the night is chas'd away (Soprano, Mixed chorus) |
| Mvt. 31 | Let the fifes and the clarions (Tenor, Tenor) |
| Mvt. 32 | Entry of Phoebus (Chamber Orchestra) |
| Mvt. 33 | Phoebus (Tenor) |
| Mvt. 34 | Hail! Great parent of us all (Mixed chorus) |
| Mvt. 35 | Spring (Soprano) |
| Mvt. 36 | Summer (Counter-tenor) |
| Mvt. 37 | Autumn (Tenor) |
| Mvt. 38 | Winter (Baritone) |
| Mvt. 39 | Hail! (Mixed chorus) |
| Mvt. 40 | Fourth Act Tune: Air (Chamber Orchestra) |
| Mvt. 41 | Act Five. Prelude (Chamber Orchestra) |
| Mvt. 42 | Juno: Thrice Happy Lovers (Soprano) |
| Mvt. 43 | The Plaint (Soprano) |
| Mvt. 44 | Entry Dance (Chamber Orchestra) |
| Mvt. 45 | Symphony (Chamber Orchestra) |
| Mvt. 46 | A Chinese Man (Tenor) |
| Mvt. 47 | A Chinese Woman: 'Thus happy and free...' (Soprano, Mixed chorus) |
| Mvt. 48 | Yes, Xansi (Tenor) |
| Mvt. 49 | Monkey's Dance (Chamber Orchestra) |
| Mvt. 50 | Hark! How all things (Soprano) |
| Mvt. 51 | Hark! The echoing air (Soprano, Mixed chorus) |
| Mvt. 52 | Two Chinese Women - Chorus (Soprano, Soprano, Mixed chorus) |
| Mvt. 53 | Prelude (Chamber Orchestra) |
| Mvt. 54 | Hymen: See, see I obey (Baritone, Soprano, Soprano) |
| Mvt. 55 | Duet: Turn then thine eyes (Chamber Orchestra) |
| Mvt. 56 | Two Chinese Women and Hymen (Baritone, Soprano, Soprano) |
| Mvt. 57 | Chaconne (Chamber Orchestra) |
| Mvt. 58 | They shall be as happy (Mixed chorus) |
| Mvt. 59 | Act Five: Air (Chamber Orchestra) |
| Mvt. 60 | Air (Chamber Orchestra) |
| Mvt. 61 | Act IV: Sonata while the sun rises: Allegro (Chamber Orchestra) |
| Mvt. 62 | Act IV: Sonata while the sun rises: Canzona (Chamber Orchestra) |
| Mvt. 63 | Act IV: Sonata while the sun rises: Adagio (Chamber Orchestra) |
| Mvt. 64 | Act IV: Sonata while the sun rises: Allegro - Adagio - Allegro (Chamber Orchestra) |
| Composer(s): | Henry Purcell (16 Jul 1659 - 21 Nov 1695) |
| Recording identifier: | M2147487243 |
| Real Name: | The Fairy Queen |
| Display Name: | The Fairy Queen |
| Work/Opus: | Z. 629 |
| Composed: | c. 1692 |
| Genre: | Opera + Operetta |
| Genre Type: | Opera |
| Period: | Baroque |
| Instrumentation: | Chamber Orchestra |
| Ensemble: | Symphony of Harmony and Invention |
| Conductor: | Harry Christophers |
| Label: | Coro |
| Catalogue Number: | COR16005 |
| CD Media ID: | 4024AB |
| Recording Location: | St. Bartholomew's Church, Orford, Suffolk |
| Mvt. 1 | Prelude (1'50'') |
| Mvt. 2 | Hornpipe (0'55'') |
| Mvt. 3 | Air (0'53'') |
| Mvt. 4 | Rondeau (1'37'') |
| Mvt. 5 | Overture (1'26'') |
| Mvt. 6 | Come, come (2'56'') Ann Murray (Mezzo-soprano) Michael George (Bass) |
| Mvt. 7 | Fill up the bowl (6'13'') Richard Suart (Bass) Gillian Fisher (Soprano) Lorna Anderson (Soprano) Sixteen |
| Mvt. 8 | Jig (1'14'') |
| Mvt. 9 | Come all ye songsters (2'4'') John Mark Ainsley (Tenor) |
| Mvt. 10 | May the god of Wit inspire (4'17'') Sixteen |
| Mvt. 11 | Now join your warbling voices all (0'31'') Sixteen |
| Mvt. 12 | Sing while we trip (2'7'') Lorna Anderson (Soprano) Sixteen |
| Mvt. 13 | Night (4'39'') Gillian Fisher (Soprano) |
| Mvt. 14 | Mystery (1'12'') Ann Murray (Mezzo-soprano) |
| Mvt. 15 | Secrecy (2'26'') Michael Chance (Counter-tenor) |
| Mvt. 16 | Sleep (4'4'') Michael George (Bass) Sixteen |
| Mvt. 17 | Dance for the Followers of Night (1'16'') |
| Mvt. 18 | Second Act Tune: Air (1'17'') |
| Mvt. 19 | Act Three. Soprano Solo: If love's a sweet passion - Chorus: I press her hand (4'27'') Ann Murray (Mezzo-soprano) Sixteen |
| Mvt. 20 | Symphony while swans come forward (1'49'') |
| Mvt. 21 | Dance for the Fairies (0'53'') |
| Mvt. 22 | Dance for the Green Men (1'40'') |
| Mvt. 23 | Ye gentle spirits (5'25'') Ann Murray (Mezzo-soprano) |
| Mvt. 24 | Dialogue between Coridon and Mopsa (3'50'') Michael George (Bass) Michael Chance (Counter-tenor) |
| Mvt. 25 | Dance for the Haymakers (0'55'') |
| Mvt. 26 | A Nymph (3'9'') Gillian Fisher (Soprano) |
| Mvt. 27 | A thousand, thousand ways (2'40'') John Mark Ainsley (Tenor) Michael George (Bass) Sixteen |
| Mvt. 28 | Third Act Tune: Hornpipe (1'0'') |
| Mvt. 29 | Act Four. Symphony (6'17'') |
| Mvt. 30 | An Attendant - Chorus: Now the night is chas'd away (2'3'') Gillian Fisher (Soprano) Sixteen |
| Mvt. 31 | Let the fifes and the clarions (1'25'') Simon Berridge (Tenor) Philip Daggett (Tenor) |
| Mvt. 32 | Entry of Phoebus (0'36'') |
| Mvt. 33 | Phoebus (2'42'') Ian Partridge (Tenor) |
| Mvt. 34 | Hail! Great parent of us all (1'56'') Sixteen |
| Mvt. 35 | Spring (2'19'') Lorna Anderson (Soprano) |
| Mvt. 36 | Summer (1'44'') Michael Chance (Counter-tenor) |
| Mvt. 37 | Autumn (2'22'') Ian Partridge (Tenor) |
| Mvt. 38 | Winter (2'26'') Michael George (Bass) |
| Mvt. 39 | Hail! (1'2'') Sixteen |
| Mvt. 40 | Fourth Act Tune: Air (1'6'') |
| Mvt. 41 | Act Five. Prelude (1'10'') |
| Mvt. 42 | Juno: Thrice Happy Lovers (2'48'') Gillian Fisher (Soprano) |
| Mvt. 43 | The Plaint (7'7'') Ann Murray (Mezzo-soprano) |
| Mvt. 44 | Entry Dance (1'17'') |
| Mvt. 45 | Symphony (1'16'') |
| Mvt. 46 | A Chinese Man (4'35'') John Mark Ainsley (Tenor) |
| Mvt. 47 | A Chinese Woman: 'Thus happy and free...' (1'30'') Ann Murray (Mezzo-soprano) Sixteen |
| Mvt. 48 | Yes, Xansi (2'18'') John Mark Ainsley (Tenor) |
| Mvt. 49 | Monkey's Dance (0'48'') |
| Mvt. 50 | Hark! How all things (2'9'') Gillian Fisher (Soprano) |
| Mvt. 51 | Hark! The echoing air (2'44'') Lorna Anderson (Soprano) Sixteen |
| Mvt. 52 | Two Chinese Women - Chorus (2'34'') Gillian Fisher (Soprano) Lorna Anderson (Soprano) Sixteen |
| Mvt. 53 | Prelude (0'32'') |
| Mvt. 54 | Hymen: See, see I obey (4'11'') Richard Suart (Bass) Lorna Anderson (Soprano) Gillian Fisher (Soprano) |
| Mvt. 55 | Two Chinese Women and Hymen (1'2'') Gillian Fisher (Soprano) Lorna Anderson (Soprano) Richard Suart (Bass) |
| Mvt. 56 | Chaconne (2'44'') |
| Mvt. 57 | They shall be as happy (1'19'') Sixteen |