Nabucco : Work information

Composers
Giuseppe (Fortunino Francesco) Verdi ( Music, Images,)
Performed by
Anna Tomowa-Sintow (Soprano), Sofia Philharmonic Orchestra, Rouslan Raychev (Conductor)

This work

Work name
Nabucco
Work number
n/a
Key
n/a
Genre
A
Composed
1842-01-01 02:01:00

This recording

Label
Forlane CI
Producer
Ivan Pastor
Engineer
n/a
Recording date
n/a

The Composers

Giuseppe (Fortunino Francesco) Verdi

Verdi was born into a humble family of small landowners and taverners. At the age of seven he was helping the local church organist, with whom he later studied in nearby Busseto. He became the organist’s assistant in 1829. He already had several compositions under his belt when, in 1832, he was sent to Milan. Unfortunately, Verdi was refused a place at the Conservatory and instead studied with Vincenzo Lavigna, a composer and former La Scala musician. In 1835 Verdi returned to Busseto where he was passed over as maestro di cappella but became town music master in 1836. There he married Margherita Barezzi, his patron’s daughter.

Verdi had trouble getting his works performed or published, but he decided to settle in Milan in 1839 where the opera Oberto was finally performed at La Scala and further operas commissioned. It went well, but his next opera, Un Giorno di Regno, failed totally, and his wife died during its composition. Their two children had died as babies, and the combined effect brought Verdi’s composition to a halt. However, he read the libretto for Nabucco and decided to write an opera on it. It was performed in 1842 and over the next five years his fame spread across Europe and America.

Following more successes, the period Verdi later called his “years in the galleys” now began. His success meant a lot of work, with a long and demanding series of commissioned operas to compose and usually direct. Between 1844 and 1850 Verdi wrote 11 operas which were performed in Paris, London, Rome, Milan, Naples, Venice, Florence and Trieste, with a break in 1846 when he became ill. Between 1851 and 1853, Verdi produced his most popular operas, Rigoletto, Il Trovatore, and La Traviata, the most personal and intimate of Verdi’s operas. The first two were well received, but La Traviata was a failure in Venice.

Verdi had been living with the soprano Giuseppina Strepponi for several years, and they moved to Paris, where another opera, Les Vêpres Siciliennes was performed. Verdi and Giuseppina married in 1859.

Back in Italy, Verdi was involved in politics (The movement for Italian unity) as representative of Busseto (where he now lived). He was later elected to the National Parliament, and ultimately he became a Senator. In 1862 La Forza del Destino had its premiere at St. Petersburg. A revised Macbeth was performed in Paris in 1865, and after Don Carlos in Paris in 1867, Verdi returned to Italy, to live at Genoa.

In his last years, Verdi composed less and less opera, preferring to write works such as his 1873 string quartet and the Requiem , though he did write Aida, performed in 1871, and Otello , completed in 1886. He spent his last years in Milan, rich and happy. When he died in 1901, 28,000 people lined the streets for his funeral. Altogether he composed 32 operas, many of which hold high positions in the world of opera today. Verdi founded the Rest Home for Musicians in Milan which he opened a few weeks before his death.

MIDI FILE - From "La Forza del Destino": Overture (8'56'')

MIDI FILE - From "Aida": Finale della 2a scena (11'41'')

MIDI FILE - From "Nabucco": Overture (7'37'')

MIDI FILE - From "Traviata": Preludio (3'15'')

MIDI FILE - From "Vespri Siciliani": Ouverture (8'26'')

Track listing

  • Ben io t'invenni, o fatal scritto! 10:11 min

Notes

The failure of Verdi's second opera, Un giorno di regno, had hit the composer particularly hard, sending him into paroxysms of despair. Vowing he would never write again, he was coaxed back into composition by Bartolomeo Merelli, the director of La Scala, Milan.

Merelli thrust upon him the libretto for Nabucodonosor (Nebuchadnezzar), soon shortened to Nabucco, and confidence began to return. According to Verdi's own account, his eyes first fell on what was to become his most popular chorus, Va pensiero, sullali dorate (the chorus of the hebrew slaves). In the next few months, Nabucco was written: 'one day one line, another day another....little by little the opera was composed'.

Verdi's confidence had returned, and he pushed hard to get the opera staged in the spring of 1842. Nor was his optimism misplaced for, when Nabucco was first performed on 9 March 1842, it was an enormous success; its autumn revival alone lasted 57 performances, a record for La Scala! The work then travelled all round the world, taking Verdi's name with it and establishing an international reputation.

Aside from the popular Va pensiero, highlights include the tense overture; Abigaille's tirade Prode guerrier (Bold warrior!); Zaccaria's Separate, o figli (Hope, my sons); and the chorus in Gli arredi festavi (The festive vessels now fall).