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| Gershwin, George | Sheet music | Timing | Play | Info | Buy | Add | |
| Porgy and Bess |  |
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| Act II: I loves you, Porgy | 4:12 | |
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| Weill, Kurt (Julian) | Sheet music | Timing | Play | Info | Buy | Add | |
| The Threepenny Opera | |
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| Act I - The Ballad of Mack the Knife: 'Zuerst horen Sie eine Moritat uber den Rauber Macheath...' | 3:24 | |
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| Lehár, Franz | Sheet music | Timing | Play | Info | Buy | Add | |
| The Merry Widow |  |
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| Act I - Dialogue: 'Exzellenz, Exzellenz, die Glawari kommt...' | 0:00 | |
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| Act I - Aria: 'Hilfe kommt doch, oh kommt, Ihr Ballsirenen...' | 0:00 | |
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| Act II - Lied: 'Nun laßt uns aber wie daheim...' | 0:00 | |
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| Act II - Duet: 'Heia, Madel, aufgeschaut...' | 0:00 | |
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| Lehár, Franz | Sheet music | Timing | Play | Info | Buy | Add | |
| The Merry Widow | |
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| Opening Act | 2:52 | |
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| Alone At Last | 4:14 | |
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| Weel, My Gallant Friends / Hanna's Entrance | 3:35 | |
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| Oh Fatherland I Must Protest / Off To Old Maxim's | 2:33 | |
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| Finale Act I | 9:58 | |
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| Opening Act II / Dance Vilja | 8:55 | |
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| Maiden Look, A Soldier Boy | 3:18 | |
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| Oh, The Women! | 2:50 | |
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| Just As The Sun Awakens | 6:18 | |
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| Finale Act II | 7:23 | |
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| Cake Walk | 0:56 | |
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| Grisette's Song | 3:40 | |
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| Words Forbidden | 3:32 | |
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| Finale Act III | 0:41 | |
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| Tomasi, Henri | Sheet music | Timing | Play | Info | Buy | Add | |
| Miguel de Mañara | |
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| Act I: Prelude | 2:16 | |
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| Act I: Premier tableau: Festin au Chateau de Don Jaime | 10:11 | |
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| Act I: Premier tableau: Interlude | 1:45 | |
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| Act I: Deuxieme tableau: le jardin de Girolama | 12:39 | |
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| Act II: Troisieme tableau: La veillee de Girolama | 9:37 | |
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| Act II: Troisieme tableau: Procession du Jeudi Saint a Seville | 8:14 | |
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| Act III: Quatrieme tableau: la Confession | 12:06 | |
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| Act III: Quatrieme tableau: Interlude | 3:19 | |
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| Act III: Cinquieme tableau: Le Miracle: Dimanche de Paques a Seville | 11:39 | |
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| Act IV: Sixieme tableau: La mort: Cour du Couvent de la Caridad | 13:57 | |
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| Act IV: Sixieme tableau: La mort: Le jour se leve: "Frere Miguel…" | 3:54 | |
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| Puccini, Giacomo | Sheet music | Timing | Play | Info | Buy | Add | |
| Turandot | |
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| Act II Scene 1 - 'Udite trombe! altro che pace...' | 4:59 | |
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| Ropartz, Joseph Guy (Marie) | Sheet music | Timing | Play | Info | Buy | Add | |
| Le Pays | |
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| Prelude | 8:11 | |
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| Act I, Scene I | 15:11 | |
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| Act I, Scene II | 11:03 | |
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| Act II, Scene I | 12:34 | |
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| Act II, Scene II | 13:53 | |
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| Act III, Tableau I, Scene I | 4:37 | |
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| Act III, Tableau I, Scene II | 6:28 | |
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| Act III, Tableau I, Scene III | 13:50 | |
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| Tual's vision | 7:53 | |
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| Interlude | 3:57 | |
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| Act III, Tableau II, Scene I | 7:38 | |
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| Act III, Tableau II, Scene II | 4:38 | |
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| Rorem, Ned | Sheet music | Timing | Play | Info | Buy | Add | |
| Miss Julie | |
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| Introduction | 0:00 | |
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| Julie: 'Sleep on seven flowers' | 0:00 | |
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| Christine: 'Wind around me' | 0:00 | |
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| John: 'Miss Julie's taken leave' | 0:00 | |
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| Julie: 'Dance with me, John' | 0:00 | |
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| Julie: 'Très gentil' | 0:00 | |
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| John: 'How strange you are' | 0:00 | |
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| John: 'Sometimes I dream' | 0:00 | |
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| Young Couple: 'Christopher' | 0:00 | |
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| John: 'I've never seen' | 0:00 | |
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| Julie: 'Fetch the boat-house key' | 0:00 | |
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| Opening | 0:00 | |
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| John: 'We have to go away' | 0:00 | |
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| John: 'I thought you understood' | 0:00 | |
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| Julie: 'You don't even care' | 0:00 | |
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| Christine: 'Sweet Jesus' | 0:00 | |
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| Julie: 'I'm ready' | 0:00 | |
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| Julie: 'Christine, help me!' | 0:00 | |
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| John: 'It's a sound idea' | 0:00 | |
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| Julie: 'If I'm strong' | 0:00 | |
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| Julie: 'Pretend you're him' | 0:00 | |
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| Julie: 'And the last' | 0:00 | |
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| Shostakovich, Dimitry (Dimitriyevich) | Sheet music | Timing | Play | Info | Buy | Add | |
| Lady Macbeth of Mtsensk, Op. 29 (Lady Macbeth of Mtsensk District) | |
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| Act I, Scene I: Interlude | 7:14 | |
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| Act I, Scene II: Interlude | 2:47 | |
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| Act II, Scene IV: Interlude | 2:00 | |
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| Act III, Scene VI: Interlude | 3:05 | |
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| Act III, Scene VI: Interlude | 2:59 | |
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| Strauss, Richard (Georg) | Sheet music | Timing | Play | Info | Buy | Add | |
| Capriccio, Op. 85 | |
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| Introduction | 6:31 | |
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| Bezaubernd ist sie heute wieder! | 2:51 | |
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| Bei sanfter Musik schlaft sichs am besten | 6:42 | |
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| Der Strom der Tone trug mich fort | 5:10 | |
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| Die Buhne ist fertig | 1:38 | |
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| Sie ist gekommen! Du hast es erreicht | 3:00 | |
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| Ihr Geht. Entleiß Euch schon die Macht | 1:54 | |
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| Bravo, bravo! Sie sind wirklich kein Laie | 2:15 | |
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| Kein Andres, das mir so im Herzen loht | 1:51 | |
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| Lassen Sie ihn gewahren | 4:26 | |
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| Wir horen - Das Sonett: Kein Andres, das mir Herzen loht | 4:32 | |
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| Wie schon die Worte, kaum kenn' ich sie wieder | 2:10 | |
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| Verraten hab' ich meine Gefuhle! | 6:48 | |
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| Sie erzahlten beredsam von Eurem Empfinden | 3:42 | |
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| Welch kostliche Begegnung! | 3:00 | |
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| Wir kehren zuruck in die Welt des Salons | 2:45 | |
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| Passepied: Was sagt Ihr! | 2:19 | |
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| Gigue: Ich bin fest entschlossen | 2:10 | |
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| Gavotte | 1:26 | |
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| Eure Kunst enzuckt und begeistert mich | 0:55 | |
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| Tanz und Musik stehn im Bann | 4:26 | |
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| Eine Oper ist ein absurdes Ding | 4:28 | |
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| Addio mia vita | 3:22 | |
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| Darf ich Sie nach Paris zuruckbringen | 3:19 | |
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| Sie lachen ihn aus und er meint es so ernst | 2:33 | |
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| Aber so hort doch! | 2:47 | |
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| Hola! Ihr Streiter in Apoll! | 10:32 | |
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| La Roche, du bist groß! | 5:04 | |
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| Das ist mehr als eine Versohnung | 2:46 | |
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| Ich Wußte ein außerst fesselndes Thema! | 4:28 | |
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| Gut in eure Mantel gehullt | 2:55 | |
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| Das war ein schoner Larm | 3:49 | |
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| Herr Direktor! Herr Direktor! | 4:31 | |
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| Mondscheinmusik: Andante con moto | 3:42 | |
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| Wo ist mein Bruder? | 3:27 | |
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| Kein Andres, das mir so im Herzen loht | 8:54 | |
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| Du Spiegelbild der verliebten Madeleine | 7:08 | |
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| Britten, (Edward) Benjamin | Sheet music | Timing | Play | Info | Buy | Add | |
| Albert Herring, Op. 39 | |
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| Florence! Tell the midwife! | 4:31 | |
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| I hope we're not too early, Florence? | 2:48 | |
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| Stuffy! Tobacco stink! Nasty masculine smell! | 5:02 | |
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| The first suggestion on my list | 5:02 | |
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| Is this all you can bring? | 8:26 | |
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| Right! We'll have him! | 3:09 | |
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| Interlude | 3:09 | |
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| Bounce me high, Bounce me low | 2:27 | |
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| Shop! Hi! Albert! | 2:50 | |
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| Girls mean: spring six days a week | 5:50 | |
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| He's much too busy even to listen | 3:31 | |
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| Good morning, young man! | 6:48 | |
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| Act II Introduction | 5:44 | |
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| Quickly, quickly | 4:30 | |
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| Here they are, dears! | 4:28 | |
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| I'm full of happiness | 5:11 | |
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| My heart leaps with joy | 4:33 | |
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| Well tried, Albert! | 2:44 | |
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| Interlude: It's coming now, Harry | 6:48 | |
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| Albert the Good! | 7:22 | |
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| You oughtn't to whistle! | 3:56 | |
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| Heaven helps those who help themselves | 7:39 | |
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| Act III Prelude | 2:38 | |
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| Is she asleep? | 4:41 | |
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| Missus Herring about? | 2:25 | |
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| I've come to ask for a photograph | 5:55 | |
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| My Albert's wreath! - Threnody: In the midst of life is death | 5:14 | |
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| Albert?...What's going on? | 2:46 | |
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| I can't remember everything | 2:49 | |
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| You know what drove me, you know how I could | 3:58 | |
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| Adams, John | Sheet music | Timing | Play | Info | Buy | Add | |
| Nixon in China | |
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| Act II, Scene I: \'This Is Prophetic!\' | 14:00 | |
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| Weir, Judith | Sheet music | Timing | Play | Info | Buy | Add | |
| The Consolations of Scholarship | |
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| Act 1 - A Traveller in the Desert | 1:52 | |
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| Imperious Gestures | 3:51 | |
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| Last Moves | 1:23 | |
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| Lamento | 2:58 | |
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| Song of the Hermit, Under Turtle Mountain | 3:02 | |
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| Act 2 - The Consolations of Scholarship | 3:10 | |
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| A Shining Immortal | 1:34 | |
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| Interpretation Scene | 1:54 | |
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| The Chase to the Palace | 2:19 | |
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| Weir, Judith | Sheet music | Timing | Play | Info | Buy | Add | |
| King Harald's Saga (Grand Opera in 3 Acts) | |
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| Act 1 | 4:26 | |
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| Act 2 | 3:08 | |
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| Act 3 | 3:57 | |
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| Epilogue | 1:31 | |
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| Machover, Tod | Sheet music | Timing | Play | Info | Buy | Add | |
| Valis, Op. 2 | |
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| Part I: Explosion and Overture | 3:24 | |
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| First Narrative | 3:52 | |
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| Fat's Sacrament | 1:26 | |
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| Beach Scene | 2:35 | |
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| Fat's Dream | 10:21 | |
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| Loneliness Transition | 3:35 | |
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| Dr Stone's Scene | 1:31 | |
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| Dr Stone's Aria | 4:00 | |
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| Exegesis I | 1:30 | |
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| Exegesis II | 1:33 | |
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| Gesegnet Song | 1:39 | |
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| Parsifal Narrative | 1:40 | |
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| Finale I | 2:21 | |
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| Part II: VALIS Song | 4:27 | |
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| Lampton Scene | 4:23 | |
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| Suffering Song | 3:48 | |
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| Mini's Solo | 1:38 | |
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| Sophia's Scene | 2:42 | |
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| Sophia's Aria | 6:44 | |
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| Finale II | 10:31 | |
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$1.49 |
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| Slippers Song | 2:39 | |
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| Final Narrative | 1:30 | |
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| Menotti, Gian Carlo | Sheet music | Timing | Play | Info | Buy | Add | |
| The Telephone (L'Amour à Trois) | |
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| 25:09 | |
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$2.49 |
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| Weill, Kurt (Julian) | Sheet music | Timing | Play | Info | Buy | Add | |
| The Rise and Fall of the City of Mahagonny | |
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| Alabama Song | 2:51 | |
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| Havanna-Lied | 1:50 | |
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| Denn wie man sich bettet, so liegt man | 4:42 | |
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| Weill, Kurt (Julian) | Sheet music | Timing | Play | Info | Buy | Add | |
| The Threepenny Opera | |
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| Act II - Polly\'s Farewell Song: \'Er kommt nicht wieder...\' | 2:43 | |
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| Act II - The Ballad of Sexual Dependency: 'Da ist nun einer schon der Satan selber...' | 3:39 | |
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